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GUITAR FOR THE PRACTICING MUSICIAN 1986年2月 パート2

 前日の続きです。

Teeth

 次の画像は有名ですね。

Famos

次の画像も、この雑誌で始めた見たものです(と、いいつつ、このブログでこの画像だけは随分前に紹介してますが(笑))

59pageblackwhite

 インタビューの最後に機材の質問について、ジェイクが答えていますでのご紹介します。といっても、ヤングギターやバーンとかで出ているものと重複しているかもしれませんが・・・。

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JAKE: My main baby is a white Charvel with some kind of Duncan prototype pickup tha Seymour gave me. It looks like what ended up being the Allan Holdsworth model. That's in the bridge. The other two are DiMarzio SDS-1 single coil pickups. I don't have a tremolo arm. There's too many people doing that now. I think Eddie started a whole new wave of players tha like starting and ending solos with a G or E string dive bomb. It sounds cool but it's too easy. If you're lacking any ideas for a solo it seems all you have to do is grab the bar. I donn't things too easy. For strings I use 9's, but I used to use 10's or 11's because it was harder. Now I need a bit of a break because I'm doing it in front of so many people. The action is still higher than most people have it. With amps I prefer late 60's or early 70's Marshall 100 watt tops wiht 4*2 cabs with EV soeakers. My pedalboard is a Boss computerized model. It's got an overdrive which is on all the time except for the soft parts. The delay is also pretty much on all the time for rhythm as well. For leads I punch in a graphic EQ with some of the mids boosted. Then there's a chorus and flanger for special bits. I've got a Lexicon PCM 41 for stereo DDL. It's set to a 35 mil. second delay with a slight pitch shift. I also use a wireless on stage.

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